Hayter did his experimental image, "Prestige of the Insect", in 1942 after he had moved Atelier 17 to New York, shortly after his acclaimed "Cruelty of Insects". He used mostly soft-ground etching, impressing a woodgrain into the softground and fortifying it with burin engraving. With his scorper he gouged out shapes that "print" in relief as three dimensional white elements.
Published in an edition of 30 impressions Hayter also used the plate to create a "plaster print", a method that a number of the A-17 printmakers were experimenting with in New York. Hayter describes this technique in chapter 10 of his "New Ways of Gravure", pages 134-142.
P.M.S. Hacker notes about this image:"When an insect, for example a scorpion, is alarmed, it takes up a characteristic menacing stance which is referred to as 'the prestige of the insect'.