St. Peter and St. John Healing the Cripple (after Durer; pl. 16, the Engraved Passion) by Charles Amand-Durand

St. Peter and St. John Healing the Cripple (after Durer; pl. 16, the Engraved Passion) by Charles Amand-Durand

St. Peter and St. John Healing the Cripple (after Durer; pl. 16, the Engraved Passion)

Charles Amand-Durand

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Title

St. Peter and St. John Healing the Cripple (after Durer; pl. 16, the Engraved Passion)

 
Artist
Year
c. 1870  
Technique
heliogravure (after the woodcut from 1513) 
Image Size
4 9/16 x 2 7/8" image size 
Signature
artist's red monogram stamp on verso 
Edition Size
not stated 
Annotations
Durer's monogram and date in the block, as usual 
Reference
(Durer's print: Krauss 68; Koehler 58; Dodgson 58; Hollstein VII.12.11) 
Paper
antique-white laud 
State
published 
Publisher
artist 
Inventory ID
24822 
Price
$200.00 
Description

Though often listed as the final sheet in Albrecht Durer's Engraved Passion series, it is not a part of the traditional Passions executed by artists up to nor after that point. The image is from the New Testament, Acts of the Apostles 3:1-10 in which Saints Peter and John heal a victim of leprosy at the Jerusalem temple's Beautiful Gate.

In 1869 Charles Amand-Durand, already an established engraver, was hired by the Louvre to revive the plates and blocks of Old Masters, as many of the prints available to the public were printed from worn-down specimens that no longer held a crisp line, or were printed on papers of poor quality that did not hold up over time. As such, Amand-Durand spent much of his life tracking down first and second state prints from which to recreate the plate using helio/photogravure, rather than using the blocks and plates.

Amand-Durand's process could take up to six months to recreate one print, aiming for the accuracy of 1/1000mm. He developed a technique that involved exposing materials such as silver, mercury, copper, steel, and asphalt from the Dead Sea to electric light, and carefully incising the linework of Rembrandt, Durer, and other 15th and 16th century Old masters into the plate. His skill was so exact that the Parisian government banned the use of his techniques out of fear that they would be used to print money. His reproductions were sought after by major institutions such as the Bibliotheque Nationale.

 
Please call us at 707-546-7352 or email artannex@aol.com to purchase this item.