Limited information is available for Platt's career as an artist. He studied with Hayter at the Atelier in New York in the 1940s, and this abstract study illustrates his expertise in the field of experimental printmaking, both as an artist and as a craftsman.
Platt uses a number of intaglio methods to create this image, including engraving, softground etching with textures pressed into the ground and graffauge, which is a deeply engraved or bitten line that does not print and appears as a three dimensionl, embossed element in the composition.