The Cubist planes and shadows in this print are created using only lines. This is a pencil signed proof from an edition of 11 before the plate number was added to the lower left.
In the portfolio Planches du Salut Marcoussis pays homage to some of his favorite writers: Baudelaire, Dostoyevsky, Rimbaud, Shakespeare, Gerard de Nerval (this composition), and Apollinaire with the poems selected by the artist. The preface was written by Dada/Surrealist poet Tristan Tzara. The title of this work roughly translates to "The one I love still loves me..".
A note on the provenance: This impression was offered for sale by the William H. Schab Gallery, Inc, catalogue 62, item 69, page 97, illustrated. The catalogue entry states: "...in 1930 and 1931 Marcoussis executed suites of etchings for two books: Gérard de Nerval's 'Aurélia' and Tristan Tzara's 'Planches du Salut.' Dieter Koepplin in the exhibition catalogue 'Kubismus' comments that in these etchings Marcoussis' cubist forms 'tend toward a surrealist suggestiveness.' This tendency is apparent in the work of most important artists of this circle. Surrealist artists had found in turn new paths opened by the cubist idiom. In works such as the present, the flat transparent planes and rhythm of cubism with the empty spaces and dreamy mysterious shapes of surrealism."