A large, early color woodcut depicting Nashville, Indiana's Washington Barnes Cabin, which belonged to beloved, and often colorful, couple Mary and Washington Barnes. Surrounded by lush foliage and ever-present fowl, it was a popular attraction for artists who often came by in warmer months to capture the bucolic property. In "Wash Barnes Cabin" Baumann took extra care to portray it as he first saw it, noting on page 171 of Chamberlain's In a Modern Rendering: the Color Woodcuts of Gustave Baumann,:
"Social amenities had to be observed with Mother Barnes, who didn't mind artists in fact she was flattered when they came to paint her cabin... The place was a confusion of pictures. There was...a garden that could hardly contain the flowers within the fence. A lean cow ambled by to somewhere. To give the place a semblance of order a long line of geese marched by, scattering the chickens that were pecking around while I with a little Brownie Camera under my arm casually snapped a picture of Mother Barnes, when Wash barnes himself appeared and I found myself invited for lunch with the family."This Baumann has been custom framed in an oak mortise-and-tenon, Craftsman-style frame by Tim Holton Studio Framemakers of Berkeley, California.