Delicatessen Maker (Plate C) (print and copper plate) by John William Winkler

Delicatessen Maker (Plate C) (print and copper plate) by John William Winkler

Delicatessen Maker (Plate C) (print and copper plate)

John William Winkler

Title

Delicatessen Maker (Plate C) (print and copper plate)

 
Artist
Year
1922 / published 1923 
Technique
copperplate etching in sepia ink 
Image Size
9 1/4 x 8 1/8" platemark 
Signature
pencil, lower center 
Edition Size
Ed. 85 
Annotations
pencil dated and editioned in lower left sheet corner; titled in the plate, lower right 
Reference
Library of Congress 10; Achenbach Foundation 1975 exhibition catalogue, p.10 (listed as Plate C, 1922) 
Paper
cream laid paper 
State
published 
Publisher
artist (in Paris) 
Inventory ID
JW353 
Price
SOLD
Description

Winkler did more than one version of this scene, now considered one of his most well known, from his time in San Francisco's Chinatown. The first was created in 1917 (illustrated on page 64 of Millman & Bohn's "Master of Line: John W. Winkler, an American Master") and the final version, printed in the opposite direction of the 1917 version and now including more detail, was printed in Paris in 1923 in an edition of 85 impressions. This is one of those impressions, and is accompanied by its plate, which features an additional etching on the verso. The verso image is "Facades", which he created circa 1920/'21 but did not publish until the early 1950s (ref.: M & B, p. 102, 103). His etched cursive "W" is in the verso image, lower left (right when printed).

The Delicatessen Maker is considered one of Winkler’s most well-known images from his San Francisco Chinatown series. He created an earlier version of the Delicatessen Maker in 1917 (illustrated on page 64 of Millman & Bohn’s Master of Line: John W. Winkler, an American Master) but the image is reversed with the figure placed on the left side of his shop.

Winkler was a lamplighter in San Francisco and his route took him through San Francisco’s Chinese quarter where he discovered an exotic community. According to Mary Millman and Dave Bohn, Winkler spent “every spare weekday moment and every Saturday and Sunday there for about seven years.” He created around seventy plates depicting the streets, architecture, inhabitants, vendors, and moments of rest or leisure. In his etchings, he captured vignettes of a lifestyle that was quickly vanishing and his subjects were always rendered with dignity and respect.