Santuario do Bom Jesus do Matozinhos - from the "XII Prophets from Aleijadinho" portfolio

 

Andre Racz

  1916 - 1994 (biography)

1946 /published 1947 

etching and engraving on copperplate with typeset text 

5 3/16 x 4 1/8" platemark 

pencil, lower right 

numbered "IV", from the Roman numeraled edition of 15 

pencil titled, lower center; pencil editioned, lower left; dated after signature; typset excerpt from from "Del Sentimiento Tragico de la Vida", by Miguel de Unamuno, upper left 

 

cream Ruysdale Paper 

published 

Curt Valentin, New York, 1947 

JPEA122 

SOLD

The final image from the portfolio of fourteen intaglio prints by Racz, titled "XII Prophets of Aleijadinho", studies of the sculptures of saints by Brazilian artist Antonio Francisco Lisboa.

An air of myth surrounds the executor of these sculptures, pertaining to his very existence. Lisboa, born ca. 1730 and died 1814, had purportedly been a famed decorative stone carver and architect under the tutelage of his father, Manuel Francisco da Costa Lisboa, before he was struck with leprosy at the age of 47. It is said that, despite this debilitating ailment and the loss of most of his extremities, he managed to carve the oversized soapstone figures of the Twelve Prophets with the use of straps and padded ladders. The sculptures were commissioned by Feliciano Mendes, who built the Sanctuary of Bom Jesus de Matosinhos at Congonhas. Lisboa rarely left his home as the leprosy progressed and traveled only at night via covered palanquin; he was soon known as "O Aleijadinho", or "Little Cripple" in Portuguese. Some historians, however, believe that Lisboa never existed, and is in fact a mythical product of author Rodrigo Bretas' 1951 book "Biographical Traces of Antonio Francisco Lisboa", as the author never offers concrete evidence of Lisboa's movements in the time of these sculptures' creation. Yet even in these refutations, there is still no better alternative offered as to who the artist may have been.

This print includes a typeset excerpt from Miguel de Unamuno's "Del Sentimiento Tragio de la Vida" in the upper left side of the sheet. It reads, in Spanish and in English, "What, then, is the new mission of Don Quijote in today's world? To cry, to cry in the desert. But the desert listens, though men do not; and it will turn one day into a vibrant forest, and this love voice that is seed in the desert, will become a mighty cedar whose thousand tongues will sing an eternal Hosannah to the Lord of life and of death."

The studies for the plates were drawn by Racz in 1946 in Congonhas do Campo in Brazil, and later etched and pulled by him in his studio in New York.