Les Bergers

Karin Lieven

Les Bergers is a classically stylized image by an adept illustrator and carver. Lieven filled this seemingly serene landscape with grasses, rolling hills, sheep, shepherds, a flowing stream, and a bird at rest. The only tension in this bucolic scene is the elongated body of the dog suggesting a protective response to danger.

Karin Lieven, painter, printmaker, illustrator, and stamp designer, was born on 6 July 1899 in Riga, Latvia. She became a naturalized citizen of Switzerland and is referred to as Swiss.

Lieven illustrated 'Robin Pouceton: le dernier nain de la foret' by Claude Roen in 1928 and 'Les histoires du vieux nain Frit-Frit' by Héléne Gisiger in 1943. She also illustrated Louis Duplain’s “Perpetuite Humaine” for Editions a la Belle Etoile, Paris.

As a printmaker, Leiven worked in relief prints, engraving, and lithography and included her initial monogram into her imagery. Les Bergers is a block print from 1922; Au Café is a lithograph published in 1930 by Gabriel Mourey, Paris; and L’évasion is an engraving from 1962. Other titles include Le Jardinier, Les Vaches, and (Ploughing), the latter dates to 1933.

Karin Lieven was also a noted designer of stamps and her stamps for Switzerland were published in 1948, 1949, 1954, 1958, 1966, and 1967. The 1958 definitive set of stamps celebrating the International Bureau of Education were a joint effort by Karl Bickel, Jr. and Karin Lieven. Together they got the job of engraving the essays for the 1960 Architectural Monuments series, which would eventually be engraved by Albert Yersin.

Karin Lieven died in 1978.