Miao Shan by Elyse Ashe Lord

Miao Shan by Elyse Ashe Lord

Miao Shan

Elyse Ashe Lord

Title

Miao Shan

 
Artist
Year
c. 1930  
Technique
aquatint & drypoint and hand applied colored woodcut 
Image Size
11 13/16 x 9 7/8" image 
Signature
pencil lower right 
Edition Size
18 of 100  
Annotations
pencil signed and editioned, titled in lower left margin edge, numbered "26368" 
Reference
An impression was included in "Fine Prints of the Year", 1931, plate 28, black and white. 
Paper
thin ivory wove 
State
published 
Publisher
Messrs Walter Bull & Sanders 
Inventory ID
23329 
Price
SOLD
Description

Miao Shan (or Miaoshan) is widely regarded as a popular iteration of the Buddhist bodhisattva known as Avalokitescara - translated into the Chinese as Guanyin - the bodhisattva of compassion or mercy. In his research, 11th century Chinese Buddhist monk Jiang Zhiqui interpreted the story of Guanyin as that of the princess Miaoshan, who had a religious following on the Fragrant Mountain. This has since been interpreted in several ways, yet the core story remains similar: On the verge of being forced into marriage by her father the king, she said she would obey his order as long as the marriage eased three misfortunes: the suffering that accompanies illness, old age, and death. When asked by her father who could perform such a miracle, she said that only a doctor could. Angered that his daughter would suggest that she marry a doctor rather than a wealthy man, he banished her first to hard labor in the hopes of deterring her; when that did not work, he ordered her to be executed and her spirit sent to Hell.

Miaoshan was carried into the hell realm by a supernatural tiger; yet upon arrival, she was impervious to torture. Flowers blossomed all around her, and she played music for the other spirits trapped in the realm - the flowers and music being symbols of the release of her vast karmic compassion. In the end, her very presence in hell transformed the realm into a paradise and the suffering spirits were sent back into Heaven and Earth

The supernatural tiger appears in more than one iteration of this tale, as a kind of vehicle of transformation. In Elyse Ashe Lord’s depiction, Miaoshan and the tiger journey to the Fragrant Mountain, her final destination and reward for her good deed.