(Foreigner in Yokohama) by Unidentified
(Foreigner in Yokohama)
Unidentified
Title
(Foreigner in Yokohama)
Artist
Year
c. 1860
Technique
color woodcut
Image Size
5 7/8 x 3 7/8" image size
Signature
artist's stamped brush signature, in image, upper mid-left
Edition Size
not stated
Annotations
titling in Japanese characters, upper left
Reference
Paper
Japanese laid
State
published
Publisher
artist
Inventory ID
22657
Price
SOLD
Description
Yokohama was the harbor of Japan where Western foreigners were first allowed--and confined to--immediately following the Treaty of Kanagawa, in which the U.S. militarily forced Japan to enter trade negotiations. Yokohama-e ("e" translating to "pictures") is the formal term for the expression of the Japanese woodcut art that reflected this change, with around 500 images created primarily by 31 artists between 1859 and 1862. Portraits of Westerners and their trains, ships, and daily lives soared in demand. This portrait of what is likely a wealthy American trader, with his mutton chops, cane, and proud stance, is recorded with signature Japanese subtlety, perfectly capturing the collision of two worlds.