One of Martin Gerlach's Allegories, Plate 95 from the Vienna Secessionist portfolio "Allegorien Neue Folge"; edited by Martin Gerlach and published by Gerlach & Schenk Vienna in 1898.
A moving, humanist portrayal of afterlife, with the figures of a man and a woman rising from their earthly bonds and embracing in the air above their respective tombs, like storm clouds clashing to produce electricity, trees bowing in the wind.
Symbolism was in its heyday in the late 19th century and Taschner’s work in every form - sculpture, architecture, metalsmithing, printmaking, and more - often explored the themes of life, death, and love through a poetic lens. The two figures in “Electricity” seem joyous to reach one another yet again; one could view this work as not a tale of the end of life but a hopeful one of a new beginning.